Brujeria is a deathgrind metal band from Mexico formed in 1989. We are a group from Latin America notorious for the violent and the extreme. We are infamous for the terms Matando Güeros, La Migra, Marijuana y Brujerizmo.
Repulsion were an early grindcore / death metal band from Flint, Michigan. Their innovations were significant to the development of the death metal and grindcore genres.
Matt Olivo and Scott Carlson,with bassist Sean MacDonald, formed Tempter in 1984, a metal act covering bay area thrash metal bands, such as Slayer and Metallica. The group's sound became increasingly infused with hardcore punk when Phil Hines, of Flint hardcore punk band Dissonance, joined as a drummer. They juggled band names, first renaming themselves Ultraviolence and then Genocide before recording their first demo in 1984. In spite of their growing popularity in the underground Genocide struggled to survive and faced difficulty maintaining a consistent lineup. In the summer of 1985 Chuck Schuldiner, of pioneering death metal act Death, invited Carlson and Olivo to Florida to complete the Death lineup. The two parties failed to settle on a uniform creative direction and the merger proved short lived. Carlson and Olivo returned to Flint that summer, determined to reform Genocide . Local punk Dave 'Grave' Hollingshead was recruited as drummer. In 1985 the reformed Genocide recorded the Violent Death demo tape, with Carlson assuming bass duties, and resumed gigging locally. In early 1986 Aaron Freeman was invited into the band as a second guitarist. With their line-up fleshed out, Genocide recorded in a studio for the first time to lay down the tracks for what was supposed to be their first album The Stench of Burning Death - it ended up being their third demo. By 1986 Repulsion's trademark style had matured; characterised by raspy shouted vocals, extremely distorted down-tuned guitars, overdriven punkish riffs, absurd rambling solos interjected as if only as an afterthought, rumbling bass lines, and machine-gun drumming. Repulsion was experimenting with a hammering, static clouded, lo-fi sound that was on a level of extreme that had been touched on by few bands before. To complement the band's sound they penned gruesome lyrics; focusing on fantastic apocalyptic themes ranging from zombie epidemics to nuclear war.
Finally in 1989 Repulsion's material enjoyed modest, albeit posthumous, exposure when UK grindcore pioneers Carcass distributed a Repulsion compilation titled Horrified on their own Necrosis Records label; a subsidiary of Earache Records. With interest in Repulsion rekindled, the band decided to reform in 1990. They resumed gigging with the (almost) 'classic' Repulsion lineup - Scott Carlson bass and vocals, Aaron Freeman on guitar, and Dave Grave on drums; Matt Olivo, then serving in the army, filled in as a second guitarist when possible. Repulsion recorded two self financed demos in 1991: Rebirth, and their Final Demo, often criticised as lacking the drive and intensity of the band's earlier material. Later that year they managed to release a single on Relapse entitled Excruciation. In spite of new material the band broke up yet again in 1993. Scott Carlson went on to play in Cathedral briefly, the rest of the band departed for short-lived projects or simply returned to everyday life. There is some life in the band yet: Relapse re-released Horrified again in 2003, drawing attention to Repulsion once more, and prompting the band to resume live performance. In 2004 Repulsion also released a live DVD.
In 2008, Repulsion opened for At the Gates on their "Suicidal Final Tour" throughout the US, along with Darkest Hour and Municipal Waste
Venom, Hellhammer, Slayer, Slaughter (Canada), and Discharge have been repeatedly cited in interviews as major influences. Various bands have recorded covers of Repulsion songs, including Napalm Death and Entombed.
The Casualties members aimed to return to what they viewed as the "golden era" of street punk, embodied by bands such as The Exploited, Charged GBH, which they believed had disappeared by 1985. During the early years, the lineup was stable. The initial lineup consisted of Colin and Jorge on vocals, Yureesh on drums, Hank on guitar, and Mark on bass. Colin stepped out for several months to finish his education while Rachel, Rivits' singer, took his place.
At this point, Colin, Jorge, Yureesh, and Mark put together a demo. Fred replaced Hank, but then Fred left to go to school, and Scott from C-Squat filled in. Another guitarist, Steve, from Distraught, also filled in during this period. The EP 40 Oz. Casualty was recorded. By 1992, the band was touring and building up a fan base in NYC. In 1993, bassist Mark and guitarist Fred were replaced by Mike and Jake, respectively and Yureesh was replaced by Shawn on drums in 1994. In 1995, the band's second release, the "A Fuckin Way Of Life" E.P. was released on Eyeball Records. In 1996, Shawn left the band, and Meggers of the Rivits came to fill in and became the regular drummer. The line-up of Jorge, Jake, Mike and Meggers continued until 1997. Johnny (Of The Krays) served as bassist until 1998 (a position more permanently filled by Rick later that year).
The Casualties have continued to produce high-energy recordings and they have done US and international tours (e.g., Europe, Japan, and El Salvador). Under Attack was released on SideOneDummy Records in 2006, and they toured virtually non-stop for three years in support of the album. Their newest album, We Are All We Have, was released on the SideOneDummy label on August 25, 2009.
In December 2009, The Casualties toured alongside Hatebreed, The Acacia Strain, Crowbar, and Thy Will Be Done as part of the Stillborn Fest.
The Casualties are currently recording a new album with famed producer Zeuss, which is set to be released in Summer 2012.
Similar to: Los Difuntos, Complaints, Throw Rag
What do you get when you meld "fast/loud rules" with the Tex-Mex accordion? Piñata Protest and their invigorating and pointed "punk rock-y-roll." The band "forcefully take the raw essence of conjunto into warp-speed tempos and punky aggression," raves the San Antonio Current, which rates them as "one of the most original forces on the local music scene." And now with their national debut album on Saustex Records, Plethora, Piñata Protest take their infectious and bracing South Texas slamdance to the rest of America and the planet at large. The band bristles with a sound that has been dubbed "amphetamine norteño," "ranchero punk" and "puro pedo [no bullshit] punk rock" while also targeting the adversities and emptiness of modern life with dead-eyed aim. As the San Antonio Current observes, "Piñata Protest's Álvaro Del Norte is doing for the accordion what the Dropkick Murphys do for the bagpipes, playing what's often considered an embarrassing grandpa-music relic with youthful angst and energy, expanding the punk-rock template beyond London and NYC."
San Francisco's Exhumed plays gore-obsessed death metal with a tongue-in-cheek flair and an overall musical approach that are often reminiscent of Carcass, a band whom they have frequently acknowledged as a primary influence. They have endured constant lineup changes to become, if not a highly original act, at least one of the better representatives of their doomed-to-obscurity subgenre. The band formed in 1991 with a lineup consisting of Matt Harvey (guitar, vocals), Col Jones (drums), Derrel Houdashelt (guitar), Jake Giardina (vocals), and Ben Marrs (bass). They made their first recordings under this formation, including the Excreting Innards 7" for Afterworld Records. Giardina and Marrs left the band within the next few years, with Matt Widener (bass) and Ross Sewage (vocals) brought in as replacements. After recording the Horrific Expulsion of Gore demo (1994), Widener left and Sewage took over bass duties. This lineup eventually recorded a split CD with the Ohio band Hemdale, In the Name of Gore, which came out on Visceral Productions in 1995 and featured an absolutely revolting album cover. Soon after, Houldashelt left and was eventually replaced by Mike Beams. With this lineup intact, they signed to Relapse Records and finally released their first official full-length, Gore Metal, in 1998, with guitarist James Murphy (Death, Obituary) at the production helm. Sewage left the band shortly after this record, leaving the trio of Harvey, Beams, and Jones to record the follow-up, Slaughtercult. The album was released on Relapse in 2000 and was enthusiastically received among the death metal scene
Ides Of Gemini
In May of 2012, Ides Of Gemini unveiled their debut full-length, Constantinople. Its mere existence was a triumph for the three band members—Sera Timms (vocals/bass), Kelly Johnston-Gibson (drums/backing vocals), and Jason Bennett (guitar/backing vocals)—but other folks had some nice things to say about it as well. Spin magazine called it "Processional doom, [with] ethereal female harmonies and high-strung riffs [that] incite head-bowing, not –banging."
The learned scholars at MetalSucks chimed in with, "Their accretion of small musical gestures inverts metal's normal use of space. They imply terror without ever exposing it. Each song is an accumulation of outlines, a sort of sonic daguerreotype."
And About.com called Constantinople "a proverbial treasure chest in terms of atmosphere, ideas and contrasting musical textures…original and breathtaking."
In the fall of 2012, Ides Of Gemini played a pair of shows with Old Man Gloom before embarking upon a European/UK tour that kicked off at Germany's South Of Mainstream Festival and saw the band play direct support to Saturday night headliners The Obsessed—and later to a full house at Holland's Incubate festival.
In January of 2013, Ides Of Gemini had the honor of opening for their labelmates (and label bosses) Neurosis at the Henry Fonda Theater in Los Angeles. A month-long North American tour as sole support for the anonymous Swedes of Ghost B.C. followed in the spring. This incredibly successful journey across the continent coincided with two new Ides Of Gemini songs on Hexagram 45, a special Record Store Day 7-inch released via Magic Bullet Records that had to be repressed before it even came out due to overwhelming record shop demand.
Upon their return to Los Angeles, Ides Of Gemini played shows with Boris, Deafheaven, and True Widow before hibernating to finish writing and rehearsing the material that would become Old World New Wave. "The foundation for Old World New Wave was laid before Constantinople even came out," Bennett reveals. "We had the title, most of the guitar tracks and basic arrangements in place at that point. We've been planning this record for a long time, so it's incredibly rewarding—and a total relief—to finally have it out."
Old World New Wave was recorded at Valley Recording in Burbank, CA, during the first week of February 2014. It was engineered and mixed by Chris Rakestraw, who did the same for Constantinople and is often noted for his work with Danzig. The album was mastered by Grammy-winning producer Matt Hyde, renowned for his work with Slayer, among others. The artwork and design, including the striking hand-drawn cover, were executed by drummer Kelly Johnston-Gibson.
Old World New Wave was released by Neurot Recordings (CD/digital) and SIGE Records (vinyl) on September 16, 2014.
Formed in Los Angeles in 1987 by Oscar Garcia (Terrorizer) and Eric Castro (Majesty), and now joined by Alejandro Corredor (Chemical Bitches) and Leon del Muerte (Murder Construct) Nausea is back with a vengeance.
Born from the ashes of Majesty, they are not a side project of Terrorizer (as many think incorrectly), but a definite band. When Terrorizer broke up in early 1988 Nausea was fully active. In fact "World Downfall" was recorded posthumously one year later and contained Nausea songs that Oscar took to complete the album ('Corporation Pull-in', 'Need to Live', 'Condemned System' and the title track 'World Downfall, that was in origin a Majesty song). From "Encyclopaedia Metallum."
Destroyed In Seconds
Metal/Thrash/D-Beat Punk band from Los Angeles, California, United States.
Formed in Los Angeles in 2008 by original members of Phobia, Mange and Eat the Living.
Released their 2010 full-length debut on Deep Six Records entitled "Critical Failure". Song topics ranged from political indignity, religious strife to personal turmoil. The music, a crushing powerhouse of Swedish influenced D-Beat punk, mixed with ripping metal and thrash, backed by traditionally aggressive punk vocals.
Returning from a Europe tour in 2011, a new singer was found in Jon Tomala adding an even heavier element and more raw sound to the already thick D.I.S. mix. Evolving their sound with more aggressive vocals and finally cementing a tight lineup.
Their second album "Becoming Wrath" was recorded and mixed mid 2012 at Architeuthis Sound in North Hollywood by the bands own Sean Vahle. Released on Deep Six Records in early 2013 "Becoming Wrath" is both powerfully violent, and sonically crushing, capturing D.I.S. at its best and most ferocious.
Throughout various shows and touring in 2014 in support of "Becoming Wrath", three new songs were recorded and produced for a pending EP release along with the addition of new bass player Kyle Hertz. 2015 will bring a new album for Destroyed In Seconds along with various touring plans and shows worldwide.