Wave 1 is the first new transmission the world has received from producer Seth Haley since his gloriously futuristic debut album Galactic Melt. That album cataloged the genesis and evolution of Haley's alter ego Com Truise — the world's first synthetic/robotic astronaut, as Haley described him — and this EP continues the character's journey into the outer reaches of the musical multiverse. In the process, it also builds on Haley's signature production style, one that's rooted in classic sci-fi sounds and analogue textures but nevertheless manages to sound utterly contemporary.
The EP takes its name from the newly discovered galaxy to which the intrepid astronaut's voyages take him, and there certainly seems to be a narrative structure to its sequencing. Opening track "Wasat" sets the scene, providing a brief, atmospheric prelude that quickly settles into an uptempo, hypercolor groove. "Mind" is an exercise in dramatic tension, its beats constantly threatening to explode into a full-fledged four-to-the-floor stomp, but never quite doing so. "Declination," which features guest vocals from Joel Ford (Airbird, Ejecta, Ford & Lopatin), glides into your headphones like a starship slipping down out of hyperspace — it's the EP's most melodic moment, and perhaps the most straightforwardly melodic tune in the Com Truise oeuvre to date.
"Subsonic" is full of dramatic grandeur, marking the moment at which the EP's initial rush of energy subsides into the sort of dramatic, slow-building textures that should really be soundtracking the birth of new stars. The track evolves through several movements, and is full of evocative electronic textures (along with one hell of a squelchy bass sound). "Valis Called (Control)" maintains the reflective mood, while "Meserere Mei" is all fractured beats and jagged textures. The title track brings the record to a close with an air of serenity, the melody line drifting away into the distance on washes of sci-fi synth sounds.
Haley described Galactic Melt as a "sort of film score…from the mind," and Wave 1 works the same way, evoking the latest stage in the intergalactic journey of Com Truise — and leaving you wondering what corner of the cosmos he'll visit next.
"Music is like sculpture. It's like trying to capture a moment of ultimate momentum, and distill it forever". – Clark, August 2014
'Clark', boldly eponymous, is the Warp experimentalist's seventh album in 13 years? climaxing a narrative that commenced with 'Clarence Park', the first "Clark" attributed album 'Body Riddle', through the Yin and Yang of 'Turning Dragon' and 'Iradelphic', and finely honed through this year's 'Superscope' EP and visually intense Phosphor live show.
This is where the sounds of the machine meet the sounds of the world. A protracted club experience distilled into a cinematic, immersive whole. Clark's chiseled vision of techno contextualized for a postrave environment the clean, cold edges of technology eroded over time to produce raw, fascinating new textures.
These textures lay the foundations for a hugely kaleidoscopic listening experience filled with warmth. Memorable songwriting packed with melody and subtle, unpredictable shifts in mood? a finely balanced mix of electronic composition, heads down techno, human nature and the environment it was created in.
"I wanted to let the weather in with this album", Clark explains. "It's outward looking, it's drenched in sounds of the outside world, sounds free from human intervention: branches crackling in the wind, storms brewing, the stillness of settling snow. It's all in there, amongst the moreish crunch of industrial machinery".
These real world elements offer a sense of a meditation that beckons the listener to leave human desires behind. A detailed field recording of boots in snow creeps into an echo of piano house on 'Strength Through Fragility', swallowing up the melancholy of the melody rather ruthlessly, teasing these things out of the listener as the track progresses. The essence of the new being carved from an unheard ancientness appears throughout 'Clark', a tactile interaction between alien elements creating something that would not have otherwise existed.
The machines hold their own against nature: 'Banjo' is a straight up MPC/synth funk jam played over three notes, the hypnotic arpeggios of 'Unfurla' are underpinned by a solid 4/4 kick drum, peakrave euphoria is captured in 'There's a Distance In You'. At its essence 'Grit In The Pearl' is more Berghain than Guggenheim a club banger, albeit in a parallel dimension filtered through the 'Clark' lens, lending new context to its spiralling rave chords.
The theme of reduction, a sculpture of sound, wins out in the end. Closing beatless piece 'Everlane' is a cathartic conclusion to 'Clark', the elements ultimately refined into timeless, ethereal melodies echoing into the ages:
"It straddles this fine line of being ultimate bliss and sadness at the same time. I find this emotional terrain compelling and keep on coming back to it. I need that epic sense of closure".
Tamara Sky is an archetype, a one of a kind, and a damn good DJ. Her tenacious presence at the forefront of the scene has placed her in the most important music events and in the most influential company around the world. Besides headlining events with celebrity names like Kim Kardashian, Janet Jackson, Scott Storch, Keri Hilson, Jenny McCarthy, Carmen Electra, DJ'ing Donald Trump's birthday, or DJ'ing with Tiesto, Tamara Sky also maintains omnipresence in the electronic club scene.
She is the co-producer and resident DJ of Los Angeles' infamous underground party Lil Death, where acts like Crystal Castles, Brodinski, Gaslamp Killer, Klever, Skeet Skeet, Hussle Club, and other secret guests play every week to LA's most discerning of tastemakers. She has played with and received praise from nearly every major electronic musician/DJ in the game. From headlining Hollywood's Supperclub to DJing Basel Castle in Miami with Yellawolf & Craze, to spinning alongside Tensnake, Fred Falke and Yuksek at WMC in Miami, to DJing with Nero, or headlining with Gucci Mane in ATL, Tamara's skill and taste behind the decks garner universal acclaim from fans and peers alike.
She's Been featured in E!'s hit reality T.V show The Girls Next Door, Miami based magazine Ocean Drive, influential fashion mag 944, and front page feature in New York's Missbehave magazine. Tamara is currently the spokesmodel for the clothing brand Luxirie of LRG, the campaign is out on NYLON, Seventeen, PAPER and ELLE. She's done commissioned mix tapes for Casio G-Shock, W Hotels, and Australian fashion brand WeAreHandsome. Her reputation as a master track selector with eclectic tastes landed her a contributing writer position at Gotta Dance Dirty, America's largest electronic music blog. Somehow Tamara finds time to be one of the best DJs on the international circuit, a music and fashion maven, a music producer, graphic designer and a stunning model.