Everything typically happens for the first time in high school. It’s the first moment behind the wheel, the first taste of freedom, and the first experience of love. Though not far removed from those days, 19-year-old El Paso, TX singer and songwriter Khalid revisits this seminal time on his full-length debut album, American Teen [Right Hand Music Group/RCA Records]. It reflects the spirit of classics such as The Breakfast Club and 90210 through a kaleidoscope of glitch-y soul-driven cinematic 21st century pop and his transient upbringing in a military family.
“From beginning to end, it’s the story of your average teenager going through a typical day in high school,” he explains. “In this day and age, young people face a lot of hardships, whether they’re mental problems, relationship problems, or problems with simply facing reality. I wanted to address that in a language someone younger than me can relate to, but that can also translate to somebody a bit older. High school was the same situation every day, but with a slightly different story.”
On the eve of his own graduation, Khalid created a bona fide hit in the form of the album’s breakout single “Location.” It generated over 26.5 million Spotify streams and 4 million YouTube views, received acclaim from Nylon, Pigeons & Planes, Earmilk, DJ Booth, and more, and figured prominently in Snapchat stories from Kylie Jenner, P. Diddy, and Rita Ora. As “Location” became a 21st century anthem, he landed a major label deal with Right Hand Music Group/RCA Records.
Now, the album paints a modern picture of growing up in the age of Uber and Instagram. With its dreamy production and shimmering synths, the title track sums up the central theme.
“It’s my own homecoming pre-graduation song,” he says. “It’s all about being an American teen. You get a visual of seeing your friends passed out in an Uber ride. You’re never going to experience your senior year of high school more than once—at least you shouldn’t,” he laughs.
Elsewhere, the first song he ever wrote, “Saved,” pairs a guitar buzz with a simmering vocal performance, while “Young Dumb & Broke” encourages embracing that youthful freedom in the face of suburban malaise. “Hopeless” represents his “musical interpretation of the color blue,” and “Coaster” transfixes with raw confessional emotion. A shuffle of handclaps and piano ignites “Let’s Go,” as he croons, “This is the start of something great. We might be a little late, but at least we’re on our way.”
“This is the post-graduation track,” he explains. “I never imagined I’d be where I am. I thought I would become a music teacher. I couldn’t even dream I’d be an artist. It’s got this sense of manifestation, which I’m a strong believer in.” With Khalid's mom serving in the military, he spent most of his childhood moving from state-to-state and country-to-country. After living in Heidelberg, Germany for six years, his family moved to Fort Drum in Watertown, NY during his 8th grade school year. Throughout, mom proved to be a major musical influence on Khalid. She always sang around the house and played classics by Brandy, SWV, and Destiny’s Child for her son. With his mother’s passion for music as a foundation, he built his own aesthetic cultivated by travel and cultural experiences. Along the way, he became a fan of artists such as Father John Misty, Grizzly Bear, Fleet Foxes, and The High Highs. This diverse musical taste fostered his distinct tone and youthful adventurousness to break traditional barriers. During his senior year of high school, he was forced to relocate yet again: this time to Fort Bliss in El Paso, TX. Khalid transformed one of the most depressing times of his life into gorgeous melodies and
poetic lyrics inspired by all of the broken friendships fragmented from the nomadic reality of a military family. Settling wouldn’t be easy. However, out of all the places he’d resided, he overcame one of his biggest fears in El Paso and shared his feelings and personal experiences with complete strangers—not knowing how they would react—for the first time. Fortunately, his new friends and peers wholeheartedly embraced these heartfelt stories (and the kid with the weird hair and funny fashion sense behind them). Khalid finally felt at home surrounded by that love. Now, American Teen and his Location Tour sets the next chapter of this journey in motion. “With this album, I want to show everyone it’s okay to have emotions, it’s okay to be happy, and it’s okay to be sad,” he concludes. “I feel like a lot of people are afraid to open up, and the trend is to be very cold. I’m throwing everything I’ve ever been through on the table. I’m giving everyone my take on high school and life. I’m looking forward to how kickass 2017 is going to be. I’m very excited for the year, for music, building new experiences, making friends, and coming back to El Paso after everything happens. It’s going to be amazing.”
Bibi Bourelly will change the way you think about fearlessness. The 21-year-old singer and songwriter introduced the world to her remarkable sound and undeniable spirit with her first two singles, "Ego" and "Riot," which Fader called "brilliantly raw," and she's gearing up to do even more. Her sound is a balancing act of tough, wise worldliness and vulnerability that makes her a true force to be reckoned with.
Bourelly was born in Berlin, to a guitar-player father and an art world powerhouse mother. Creativity, and most importantly music, were literally in her blood. Bourelly says of her musical upbringing, "You know the way babies pick up on words? I learned music like another language, because it was all around me." Technical skill and knowledge is only one element of what it takes to be an artist, though, and Bourelly says that her sound would be nothing like it is today were it not for the death of her mother from cancer when Bourelly was just six years old. Her mother's death, and the forced self-reliance she had to learn after it, is the foundation of her songwriting. In addition to introducing her to the experience of profound loss and pain at a very young age, her mother's death taught Bourelly to live life as freely as possible and to not take her desires for granted.
In the years that followed her mother's death, Bourelly took to the streets of Berlin, hanging out on rooftops and subways, ultimately getting into trouble with her friends. This became the backdrop for her creative evolution, which eventually led her to write Rihanna's "Bitch Better Have My Money." While most young teenagers would have been in school, Bourelly was learning to see the world in a whole new way on the streets. "The world was so big when I stopped giving a fuck about what people thought," she says, adding, "when I was hanging out on rooftops, and drinkin' and shit, I could accomplish anything. I could be anything I wanted to be." After her grades dropped to a point she couldn't continue schooling in Berlin, she took everything she'd learned with her to the States. "I got to see the world from a rat's perspective, from a little person's perspective," she says of the days when people looked at her like "a troubled kid." She also took with her a feeling of freedom, of "running around the streets with my friends, and getting in trouble, and being scared of being arrested and shit." You can hear this freedom in her songs, and their self-possessed, wild child attitude.
"They want me to be this picture perfect girl," Bourelly sings on "Ego," "But I curse when I talk and I lean when I walk and I been through some shit and I've gained and I've lost." It's this push and pull of freedom and sadness, self-possession with just a hint of heartbreak, that makes Bourelly's toughness truly unique. Her voice is soulful -- powerful but rough, a little frayed around the edges like the morning after a long night. She's sweeter on "Riot," the edges a little cleaner, but the message is still one of strength. "If I go, I'm gon' start a riot, I'm fighting for my life here, I'm gonna give y'all everything tonight" she sings. This is the vulnerability that Bourelly is trying so hard to express, the struggle that still comes from being free. But it's that struggle that's so essential to everything Bibi Bourelly stands for. "I'm not saying I never get scared," she says, "but I'm saying I don't give a fuck if I'm scared." It's all part of the journey, creative and otherwise, and for Bourelly, that journey is only just beginning.