THE MAKE UP is the Washington, DC group that re-defined underground music in the middle and late 1990s with their peculiar and incendiary blend of gospel, garage and yeh-yeh music. Known for their dynamic and interactive live presence at hundreds of shows across 5 continents, the group also recorded 7 LPs, 14 singles and EPs and and collaborated on films, videos, pamphlets, and happenings. They toured extensively as a headliner and with groups such as Royal Trux, Sonic Youth, Fugazi, Dub Narcotic Sound System, Lung Leg, Harry Pussy, and many others.
The group has been called “dazzling … best dressed … martial … terrifying.” Their shows were known to feature communication, sermonizing, crowd participation, and dancing virtually unknown in the staid world of indie and garage rock. Their style was perfect, with matching Mao style jackets, with new versions designed for each tour.
The group was widely copied as well and precipitated and inspired a wave of “garage” imitators in the 21st century who often had commercial success but lacked the spark, character, nuance of the Make Up. Occasionally, when the moon is bright and the wolfsbane blooms, the group has come out of hiding for rare and exciting personal appearances since disbanding in 2001. They are making one of their rare returns now for a short time only, available for very special events.
Featuring Ian Svenonius on vocals, James Canty on guitar, Michelle Mae on bass guitar and Mark Cisneros on drums, and performing classics such as “they Live By Night”, “I am Pentagon”, Walking on the Dune” , “Here Comes the Judge,” “Every Baby Cries the Same,” etc, the Make-Up is as extraordinary as ever.
French Vanilla is a feminist art-punk band based in Los Angeles consisting of Max Albeck (drums), Ali Day (guitar/bass), Sally Spitz (vocals), and Daniel Trautfield (bass/sax). FV regulates the dance floor with vocal freneticism, punchy basslines, and dramatic sax. Half-driven by a desire to challenge the established SoCal music scene, dominated by a few influential (male) tastemakers, and half by a desire to engage with friends, FV started in LA’s queer punk underground. Influenced by generations of feminist punks before them, the band believes in the supremely generative nature of women’s and/or BFF’s collaborating and they hope to spread this message until all dude-rock bands cease to exist. More than anything, FV wants you to have fun at their shows so they deliver performances with infectious energy and enthusiasm. Catch them playing at DIY spaces like Pehrspace and COOLWORLD PARTY LA, weird bars, or at Part-Time Punks. Say hi, they want to hang.