The Echo & Part Time Punks Present
TRISOMIE 21 + VR SEX [members of DRAB MAJESTY] + AURAT
Sun March 17, 2019
Los Angeles, CA
$15 Advance / $22 Day of Show
This event is 18 and over
Centered around brothers Philippe and Hervé Lomprez, Trisomie 21 (often abbreviated to T21) are a French cold wave group who have endured since the early '80s, spanning styles such as brooding, experimental post-punk as well as a more danceable synth pop sound. The two Lomprez brothers were initially joined by keyboard player Jean-Michel Matuszak (who also served as their manager) and bassist Pascal Tison, and their music was influenced by dark post-punk acts like Joy Division and the Cure as well as the experimentation of the Residents and Yello. Belgian label Stechak released T21's debut mini-album, Le Repos des Enfants Heureux, in 1983. Bassist Laurent Dagnicourt replaced Tison for the group's 1984 full-length Passions Divisées.
ALL TICKETS FROM THE ORIGINAL DATE BACK IN OCTOBER WILL BE HONORED FOR THIS NEWLY RESCHEDULED DATE.
T21 are Philippe and Hervé Lomprez, two brothers from Denain, in the North of France, near Lille (200 km from Paris).
The name, pronounced tree-zho-mee vahnt-ay-un, derives from Trisomy 21, the medical term for the extra chromosome resulting in Down Syndrome.
Technology was meant to be humanity’s tool to combat famine, disease, confusion, and to facilitate life, culture, and innovation. Instead, we’re mired in a digital labyrinth that few care to navigate or even solve. Perhaps it’s not a ruse and the matrices coded by keyboard maestros are a path to liberation, but without querying the constructs we cannot ruminate on their affectations on humanity.
VR SEX are audio/visual provocateurs who transpose the identifiers of death rock, synth punk, post-punk, ambient, and ethereal soundscapes into an audit on technology and its imprint on our collective psyche. Comprised of visionary mercenaries Noel Skum (Andrew Clinco of Drab Majesty), Z. Oro (Aaron Montaigne of Antioch Arrow/Heroin/DBC) on vocals and drums, and Mico Frost (Brian Tarney) on synths and electric bass.
Their debut tome, Human Traffic Jam, focuses on lyrical themes that probe the possibilities of loss of autonomy through social media, the decline of human interaction, and celebrity favoritism. Skum believes in the stabilization of society and preservation of our planet by reducing its amount of procreators.
Through PSRS or Procreation Simulation Reproduction Stimulation, humans can act on their hedonistic desires and not face the responsibilities and consequences that come with being an ill-prepared guardian. The future of our offspring will exist in virtual realms and population growth in turn will be stabilized. VR SEX is the cure to most societal ills.
Thematically condensed into an eight song album, Human Traffic Jam was written and demoed by Skum in a flat in Athens, Greece during the winter of 2017. During a rigorous week long session at Figure 8 studios with experimental and dimensional production extraordinaire Ben Greenberg (Uniform/The Men), Skum solely committed all the instrumentation present on Human Traffic Jam.
Rather than being emblematic of influences, each song on the LP infuses a dire tension that cuts shimmer with fetid frequencies, never establishing an aural hierarchy or urgency. Instead, we’re lead into punchy capsules of “dour pop”; the balance of saccharine and sour so emblematic of the VR SEX hive mind.
Part Time Punks
PART TIME PUNKS is a club that takes over noted Echo Park live music venue, The Echo on 1822 Sunset, every Sunday night. The night focuses heavily on DIY and Indie vinyl coming out of the U.S., UK and Europe from 1977 to the present: Punk, Post-Punk, Synth-Punk, Synthpop, Minimal Synth, Dark/Cold/Minimal Wave, NDW, Industrial, New Wave, No Wave, C86, Indiepop, Twee, Shoegaze, Baggy and even Krautrock…