Deap Vally introduced us to their unapologetic style of rock’n’roll in 2013 debut ‘SISTRIONIX’. LA natives Julie Edwards and Lindsey Troy lit heavy, minimalist blues fires throughout the US and Europe, both on record and in their legendary live shows. Lindsey Troy’s sand-and-glue vocals and ferocious riffs rode roughshod over the dynamic explosions of Julie Edwards’ drumming. After several loops around the world, they decided it was time for a gear shift inspired by the pair's desire to create their vision on their own terms.
So the two-piece wielded the time they needed to reassess matters, doing short stints as touring bass players: Lindsey in White Lung and Julie in JJUUJJUU: having a kid, experiencing life stuff, all while recording critically-acclaimed sophomore album ‘FEMEJISM’ with Yeah Yeah Yeah’s Nick Zinner producing.
The process of executing album two while still recovering from a major label hangover (they parted ways with their major label after record 1), found the two feeling less than bright-eyed and bushy-tailed towards each other. ‘We actually went to couples therapy,’ Lindsey admits. Enlisting a professional worked wonders, and the two began to see a way forward, and the vision for their next record began to form.
Their reinvigorated approach is to craft and record songs quickly, catching what falls, and bring new influences into the process, including artists from some of their favorite groups like Savages, Warpaint, Flaming Lips, Peaches, KT Tunstall, Eagles of Death Metal, and Mini Mansions. ‘It’s your classic seven year itch. It was time to bring some other people into the relationship, heat it up,’ quips Julie.
Seven years in to Deap Vally -- and many more than that in the music biz, Lindsey having been a failed major label teen pop star, and Julie having been in a favorite local Silverlake band that operated somewhere below the status of ‘cult’-- their aim now is to engender a sense of freedom and playfulness in the studio, not be weighed down by self-judgement, pressure to perform, adherence to established genre, and other neuroses that in the past essentially gave them mild PTSD.
‘Get Gone’ (label: HundredUp) is the first of many surprise-attack singles the band will release this year, some of which will be bundled into cohesive collections, some of which will stand on their own as tasty treats. ‘As much as we are both old school lovers of the LP format, we really want each track we record to have it’s moment in the sun, instead of any of our babies being relegated to the obscurity of deap cuts.’
The Entire Universe
The Entire Universe is Jeffertitti of the mighty Corners—and of Jeffertitti’s Nile and lots of legit sidemanning gigs, too—creating an entire universe of his own on a record so solo he played everything himself. The result is this sparkling little single, equal parts Bowie glam, Barrett psychedelica and Bomp!-y garage wave revival delivered with confidence, power and an irresistible hook. And now Jeffertitti has turned the Entire Universe into an entire band with the addition of Evan Snyder and Eric Lodwick - L.A. Record