Blending reverb-soaked shoegaze with minimalist electronic production, The KVB's music
reflected Nicholas Wood and Kat Day's mastery of atmosphere even as their sound evolved over the
course of the 2010s. Early releases such as 2012's debut album, Always Then, dealt in brittle beats
and sonic blasts that evoked Cabaret Voltaire and the Jesus and Mary Chain in equal measure, but
the duo's style became more streamlined and sharp-edged on later efforts such as 2018's Only Now
Formed in 2010 by singer/songwriter/multi-instrumentalist Nicholas Wood as a solo project, The
KVB got started with a number of limited cassette and vinyl releases that included the single "The
Black Sun" on FLA Records and the Into the Night EP on Downwards Records.
Vocalist/keyboardist/visual artist Kat Day joined Wood in 2011, and The KVB released its debut
album, Always Then, in 2012 on Clan Destine Records. The duo kicked off a busy 2013 with the
release of its second full-length, Immaterial Visions, for the Minimal Wave imprint Cititrax that
February, then followed it with a remix EP featuring contributions by Regis and Silent Servant that
May; in November, a reissue of 2011's previously limited-edition cassette release Minus One arrived
on Brian Jonestown Massacre mastermind Anton Newcombe's A Records label.
The following year, the duo ventured to Newcombe's Berlin studio to track what would become
the Out of Body EP, which A Records released later that year. This session marked the KVB's first
recordings made outside of the duo's own home studio as well as the first time working with
drummer Joe Dilworth, known for his work with Stereolab and Cavern of Anti-
Matter. Wood and Day collected some of the more experimental output they recorded in 2014
on Mirror Being, which Invada released the following June. The duo continued to move in a more
experimental, heavily electronic direction on 2016's Of Desire, which The KVB recorded with vintage
synths from Invada head Geoff Barrow's collection. The Fixation/White Walls EP followed in 2017,
and that year the duo also issued a remastered, five-year anniversary edition of Always Then. For
2018's Only Now Forever, Day and Wood took a freer, more independent approach, recording on
their own in their Berlin apartment for the better part of a year.
Numb.er is the sonic brainchild of Los Angeles based photographer and visual artist Jeff Fribourg. With a
background in graphic design, Fribourg imbues his work with a sense of architectural composition,
layering angular guitar riffs and analog synths over throbbing drums and driving bass.
Fribourg developed his love affair with synthesizers -- and his open-minded approach to music -- as a
founding member of LA psych-kraut favorites Froth. However, it was only with the creation of Numb.er
that he was able to fully explore his eclectic musical inclinations. Combining elements of punk, shoegaze
and post-punk, the project never commits to a singular worldview, allowing Fribourg’s vision to go
anywhere without sounding ironic or forced.
With the release of Goodbye, the band’s first LP due in late May on felte, Numb.er offers a genre-defying
sonic document that finds them maximizing the creative potential of the studio while always remaining
true to their dynamic and arresting live sound. Mixed and mastered by Mikey Young of Total Control,
Numb.er takes a carefully orchestrated approach to chaos and adds Fribourg’s own subtle knack for
memorable hooks and soft, melodic passages.
Houses Of Heaven
San Francisco's Houses of Heaven is the project of Keven Tecon, Adam Beck and Nick Ott. Mixing drum machines, analog synths, ambient guitars and live percussion the band blends their musical love of shoegaze, dub, krautrock and electronic music into their debut EP, Remnant. The trio are working on a debut album due in late 2019 on Felte.