There’s no point in denying it: It’s been a long time since Millencolin have
made a new album. Seven years, in fact. The Swedish skate-punk quartet’s last effort, the peppy Machine 15, kept them on the road playing to hundreds of thousands of diehard fans across the globe, as was its intention. But guitarist Mathias Färm says there was another reason for the time lapse. “We felt that it was important to have something really good to offer in terms of a new album,” he admits.
Färm and vocalist/bassist Nikola Sarcevic—the two men responsible for Millencolin’s songwriting for the past two decades and change—explored their other musical muses, with Sarcevic continuing to release low-key solo records and Färm starting a side band called Franky Lee, as well as producing other bands in Millencolin’s Soundlab Studios. Ohlsson continued exploring his interest in graphic design, and Larzon kept himself rooted in music by running a record label (De:Nihil Records) and a number of clubs in Örebro.
The quartet fused together all of these passions to create True Brew, out April 28 on Epitaph —an album self-recorded by the band, produced by Sarcevic and Färm in Soundlab Studios, mixed and mastered by Jens Bogren (Opeth, Soilwork, Katatonia, Paradise Lost) at Fascination street studios and with all artwork, photography and music videos created by Ohlsson. It’s clear the band members are just as unified as they were when they formed Millencolin, roughly 23 years, seven albums and 1,500 live shows ago. “We’re a band truly formed from respect and understanding for each other and our passion for rock music,” explains Sarcevic. “If you ask us, this is the best job in the world!”
And one listen to True Brew will tell you that Millencolin are back, they’re as strong as they’ve been in a decade or more and they’ve never lost that fire. “We tried to explore the ‘essence’ of Millencolin, what made us what we are and what influenced us when we grew up,” says Färm about True Brew’swriting process. “Since we started the band we have tried with every new record to explore new ground,” agrees Sarcevic. “If the other albums were
going further away from where we once were, this one is digging deeper right down in the core of the kind of punk rock the once got us started.”
Don’t call it a throwback, though. While True Brew musically draws upon some of Millencolin’s earliest influences like Bad Religion through galloping drums and fast, technical riffing, the album lyrically tackles modern sociopolitical issues in ways the band never have before. Take standout track “Sense & Sensibility,” which Sarcevic wrote about the growing problem of nationalist and racist political parties in his native Sweden but could be applied to just about anywhere in the Western world. “During the weeks before the elections here in Sweden, there were so many ignorant comments being tossed around social media by ‘normal’ people that I just had to write this song as a comment on all that,” he explains.
True Brew isn’t all doom and gloom, however. The album’s title track is the kind of positive jam fans have come to expect from Millencolin over the years with a message that is universal. “It ́s about the struggle of finding freedom and control over your life and trying to live the life you want, no matter if it might be a bit against the grain,” Sarcevic explains. “The message is to follow your heart and be true to yourself rather than taking the road recommended by others.”
When it comes down to it, True Brew is the kind of album that sounds both timeless and modern, a record that could only come out of four adults who have been side by side since they were teenagers, who have weathered
changing politics, shifting cultures and the rise and fall of all kinds of musical trends. Most bands never make it this far in their careers, at least not without a handful of ex-members, lawsuits and various skeletons in their respective closets. So how have Millencolin not only stayed together this long but continue to flourish creatively? “If you’re nice people like us, 20 years isn’t a problem,” Färm jokes. “The fact that we like and respect each other is probably the strongest glue,” agrees Sarcevic. “What we hope for now is that people will dig the new album!”
Since forming in a working class suburb of Chicago in 1995, Mest have been tearing up the punk rock scene. Playing in local Chicago punk clubs, the group self-released their debut album, “Mo’ Money, Mo’ 40′z”. The band got their first real break when front man Tony Lovato sent the band’s album to Goldfinger’s John Feldmann who helped them get signed to Maverick Records, and produced their major-label debut, “Wasting Time”, which was released in July 2000. Since then the band has released 3 more albums on Maverick —2001’s “Destination Unknown”, 2003’s self-titled disc, and 2005’s “Photographs”–and toured the world as part of the Warped Tour.
Tensions between the band members about the musical direction of the band, growing up, starting a family and not wanting to tour as much caused the band to break-up in 2006, and Mest announced their breakup, as well as a farewell tour entitled “So Long and Thanx for the Booze.”
After spending some time off, Lovato was inspired to start writing music again. He joined up with new guitarist Mike Longworthand new drummer Lil Rich Gonzales. The end result was a series of pop-punk songs that paid tribute to Mest’s past, but pushed the band forward into the future. They released a new album, “Not What You Expected.” Lovato asked Tom Denney from A Day To Remember to co-write a song with him. The track is “Radio (Something To Believe)” and is an ode to all the bands that the duo grew up listening to. Jeremy, from A Day To Remember, jumped in the studio to record a part for the song.