Low Cut Connie, Boyfriend
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The Queen of Bounce, is a New Orleans-based rapper and ambassador of Bounce music. After dominating the New Orleans club scene for over a decade, Big Freedia isnowbringingtheBouncemovementtoaworld-widestagewithherhitrealityshow,B ig Freedia Bounces Back on Fuse TV. The weekly docu-series, now in its sixth season, follows the life of a choirboy turned Bounce rapper and remains the highest rated original series on the network.
In 2016, Freedia was featured on Beyonce’s Grammy-winning single, “Formation.”
Freedia’s first LP, “Just Be Free” was named one of the ‘best electronic releases’ by R olling Stone and was critically acclaimed in outlets such as Pitchfork, SPIN, USA Today, and Consequence of Sound. Big Freedia has collaborated with artists ranging from Sia, Elliphant, The Postal Service, Matt & Kim, and Mannie Fresh, and Sylvan Esso.
Big Freedia continues to tour over a hundred dates a year with her legendary shake team, who are bring Bounce moves like “the twerk” (popularized by Miley Cyrus in 2013), “the shake” “the wiggle,” “the bend ova,” the “hands on the ground,” to audiences worldwide. Big Freedia is a consistent festival favorite, known to steal the show at Outside Lands, Fun Fun Fun Fest, Bonnaroo, FYF and many more.
In2015,BigFreediapennedherfirstmemoir,B igFreedia:GodSavetheQueenDiva!on Gallery Books/Simon & Schuster. The book was hailed in the press by outlets from R olling Stone and Pitchfork to Out and Bust.
In 2012, Big Freedia made her television network debut on J immy Kimmel Live! She has also appeared on Last Call with Carson Daly, Watch What Happens Live, NPR’s All Things Considered, NPR’s Marketplace, R idiculousness, and The Real. Her TV show received the GLAAD Media Award in 2014 and was nominated again for the award in 2015.
Big Freedia continues to release new singles and will releases her sophomore album in 2018.
"If an alien landed and asked what rock ‘n’ roll is, you could start here."
Perhaps, like the Grand Canyon, Boyfriend is best witnessed in the flesh.
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