Hailing from the vast sprawl of Los Angeles, MIND MELD became one in the early daze of 2015. Their melodic brand of heavy garage-psych is catchier and more fully-realized than 99.9% of their peers and their hooks will grab you like a paddle cactus quill and bury themselves deep under your skin, but there will be no pain.
Members of the unit have played with and/or are current members of other bands, but MIND MELD's sum is greater than it's parts. Something about the band's sound is so natural and organic that it immediately feels like something you've heard before, but you won't be able to place it because it's all original. Influences include, but aren't limited to the Gories, the Stooges, Hawkwind, Edgar Broughton Band (they slay a cover of "Why Can't Somebody Love Me") and a mix of modern Garage and Psychedelic Rock.
MIND MELD's poppier numbers still have a air of heaviness to them, while their heavy jams can hold their own with the densest of them. The rhythm section is rock solid. Always in the pocket, not too simple, but not overly complex. The guitar is tastefully ripping, grooving along with the drums and bass most of the time, but soaring to the outer limits at just the right moments. A perfect rock'n'roll recipe.
Their debut "You're Not Free" 7" flexi-disc, which was recorded at Permanent Records in Highland Park, sold out almost immediately and was referred to by Buzz Bands LA as "a buzzing flashback to the groovy ’60s, hooky and unfussy and out of your face in under 2 1/2 minutes."
They've only been playing live for a year and they've already opened for FIDLAR, Mikal Cronin, King Gizzard and the Lizard Wizard, Meatbodies, Zig Zags, and Feels. Opening slots are fine and dandy, but you can count on seeing Mind Meld at the top of the bill sooner than later.
Death Valley Girls
Think of Death Valley Girls as an acid-tripping science experiment that’s been buried alive, and resurrected as a sexually liberated dystopian chain-gang. A cosmic scar, if you will, on the hills of Echo Park, where the experiment began in 2013 by proto-punk Bonnie Bloomgarden and guitarist Larry Schemel — who got lost in the desert, returned to their haunted garage in Echo Park, and pieced together their vision with shopworn images of sexploitation babes, a blood-soaked Iggy Pop, and Bloomgarden’s series of phantasms, the result of spending a year in a mental institution, where she planned her neon-glowing odyssey by listening to Black Sabbath and UFO, reading about alien conspiracy theories, and deriving her band’s moral compass from a line she saw in a movie:
“Everybody’s gotta be in a gang,” from campy sexploitation romp Switchblade Sisters (1975).
L.A. Weekly referred to them as “the city’s unofficial proto-metal boogie band” when their debut, Street Venom, resurrected the bygone spirit of sleazy rock and roll based on urban ills, tabloid nudes, dangerous sex, and the next generation of girls gangs.
Glow in the Dark, their much anticipated Burger Records debut is set to be released in June of 2016.
Prettiest Eyes operates as a three piece. Members Pachy (Drums & Vocals) and Marcos (Bass) from San Juan, Puerto Rico met Paco Casanova (Keyboards & Electronics) from Juarez, Mexico and decided to form the second phase of the band after the original keyboardist Love Juice decided to leave the group shortly after its initial emergence. Based in Los Angeles, California the band crafts a notoriously popular live show that blends elements of Psych-Punk, Noise, Krautrock and Industrial with a solid blues-based backbone. The end result is loaded with razor-sharp elements and buzzing keyboards processed through effect pedals for an excruciating crunch.
OGOD (Over-Gain Optimal Death)