Like all great bands, DRÆMINGS began as an outlet for heartbreak – the opening track of their debut EP, Nevada, repeatedly pleads “oh stay with me / please stay with me” – and has spent the last several years evolving from vocalist, multi-instrumentalist, and sometimes-producer Kimi Recor’s alter ego into a tightly knit band of four whose new EP explores the many ways you can find your voice and mine your own inner strength. This drastic change in theme reflects not only the similarly drastic changes in the world as a whole, but also this movement away from a single spotlight and toward a group effort.
Their self-titled 2017 EP is akin to a rebirth for DRÆMINGS and brings Recor back to her band-oriented roots, cementing DRÆMINGS as a four piece comprised of herself (vocals/guitar), Thorson (bass/synth), Christopher Vick (guitar), and Nathaniel Meek (drums). The band returned to being independent (the EP will be released on Recor’s own PLAG Records) and wrote DRÆMINGS as a collective, self-titling the EP to make that point clear to listeners. Thorson stepped forward to helm the production and mixing of all six tracks in his Underwater Studios. From the heavy, thrumming bassline in “Fire in Hell,” to the dancefloor-worthy “Great Escape,” to the crooning Enya-esque EP closer, “Tides,” there really is something for everyone on DRÆMINGS, all without losing the band’s trademark sound that ties it all together.
Art student Jessica Ramsey and island-raised Andrew Martin’s collaboration began in a small horse stable home in the back swamps of Louisiana in 2013. Within two weeks of meeting, the two declared each other “musical soul mates,” and Moon Honey was born. Their vigorous work ethic and unorthodox approach to songwriting culminated in the critically acclaimed debut album Hand-Painted Dream Photographs, mixed by Greg Saunier of Deerhoof. The unlikely collision of Bjork-esque melodies with late 60’s inspired, freak-out guitar riffs landed the band in The New York Times, NOISEY, and NPR, launching a number of cross country tour performances including an in-studio KEXP session and official SXSW showcases featured on NPR’s Top 100 Acts.
After garnering a vigilant west coast following, the pair relocated from Baton Rouge to Los Angeles in 2015. In a short period of time, the group released the single “Boy Magic” dubbed “Splendid prog-pop” by Amoeba Records, playing L.A. venues such as The Echo and Bootleg Theater with shows presented by L.A. Weekly and BuzzbandsLA. Inspired by their current tropical terrain and the outlandish culture surrounding the project, the band has just recorded a new album helmed by John Goodmanson (Blonde Redhead, Sleater Kinney, Death Cab) to be released in 2017.
D R E A M G R U N G E
Song inspired by the road, by clarity and by the people along the way. Based between Los Angeles and New Orleans with obvious influence from both. Easyfriend dances the line between soul and grunge, a truly unique experience both live and on record.