Known the world over as a vocalist, songwriter, and founding member of the one and only B-52s, Cindy Wilson has made a truly extraordinary solo debut with her new CHANGE (Kill Rock Stars). The album ‚Äď which arrives just in time to celebrate the legendary singer‚Äôs fortieth anniversary in the musical spotlight ‚Äď marks a milestone for Wilson, abounding with pop creativity, ingenious production, confident songcraft, and deeply felt emotion.
‚ÄúThis music is beautiful,‚ÄĚ she says. ‚ÄúAnd I love beautiful.‚ÄĚ
CHANGE began for Wilson nearly a decade ago upon her part-time return to her hometown of Athens, GA. She first encountered local musician Ryan Monahan when his Beatles tribute band was hired to play her son‚Äôs birthday party ‚Äď ‚ÄúOne of the best parties ever,‚ÄĚ says Wilson. The veteran vocalist and talented young musician began teaming up for gigs, beginning with R.E.M.‚Äôs star-studded 30th anniversary event.
‚ÄúRyan and drummer Lemuel Hayes and I put together a few songs and it was fantastic,‚ÄĚ Wilson says. ‚ÄúThat started our own musical relationship.‚ÄĚ
Wilson and her new bandmates continued performing together, first playing classic garage and psychedelic covers but ultimately deciding to create new music all their own. They hit the studio in 2014, with local producer-musician Suny Lyons manning the board. The songs and sonic concepts flowed like the Broad River, leading Wilson to invite Lyons to join her fast developing combo.
‚ÄúWe went to Suny‚Äôs studio to kick around ideas and see if we can do anything interesting,‚ÄĚ Wilson says. ‚ÄúWe wanted to see how our styles would blend. He comes from a totally different place than I do but I was great. It also became immediately clear we had to bring Suny in to be part of the band, he also had wonderful ideas. I had a really great team.‚ÄĚ
Backed by her gifted collaborators, Wilson developed a distinctive sound that is both utterly contemporaneous and also rooted in her long history of kaleidoscopic pop reinvention. A pair of EPs ‚Äď SUNRISE and SUPERNATURAL ‚Äď introduced the world to Wilson‚Äôs modern vision, with both EPs acclaimed by PopMatters for possessing ‚Äúan undeniable sense of adventure.‚ÄĚ
Produced by Lyons at The Space Station in Athens, CHANGE is as bold as anything in Wilson‚Äôs groundbreaking four decade canon, melding future pop, disco drama, American standards, electronica, and more into her own distinctive creative vision. New songs like ‚ÄúMystic‚ÄĚ and the transformative title track are intricate and inventive, lush and luminous with strings, synthesizers, harmonies, and Wilson‚Äôs utterly distinct vocal magic.
‚ÄúOur sound is both consistent and still evolving,‚ÄĚ Wilson says. ‚ÄúAll these ingredients come together from left field to create something really interesting.‚ÄĚ
Further album highlights include a pair of unexpected covers: a widescreen orchestral rendition of New Colony Six‚Äôs soft rock classic, ‚ÄúThings I‚Äôd Like to Say,‚ÄĚ and ‚ÄúBrother,‚ÄĚ written and originally performed by Athens‚Äô own beloved Oh-OK.
‚ÄúWe played a show, Athens musicians playing songs by other Athens bands,‚ÄĚ Wilson says. ‚ÄúWe did an R.E.M. song, a Pylon song, and ‚ÄėBrother‚Äô by Oh-OK, which turned out so great we decided it had to be on record. It hits you over the head; it‚Äôs an interesting texture. It brings the album home I think.
Though she is fast to praise her musical partners‚Äô contributions, the center of CHANGE is Wilson‚Äôs instantly identifiable voice, as radiantly human as anything in her prior work only now being showcased in heretofore-unprecedented fashion.
‚ÄúMy voice is very rustic,‚ÄĚ she says with a smile. ‚ÄúIt has a realness that I hope comes through.‚ÄĚ
A veteran of one of pop‚Äôs most consistently entertaining live acts, Wilson is heralding CHANGE with an unprecedented multimedia concert tour. Merging conceptual structure, unique visuals, and kicked off in March with SXSW, Wilson and her bandmates are touring the US (in a van, it should be mentioned).
‚ÄúThe show is totally different from anything I‚Äôve done before,‚ÄĚ Wilson says. ‚ÄúIt has an incredible flow, from beginning to end. The great thing about touring a show like this is you can solve problems and tweak things as you go along.‚ÄĚ
With CHANGE, Cindy Wilson has once again remade pop in her own innovative, irresistible image. Excited and energized by the experience, the iconic artist is already looking forward to her next evolution.
‚ÄúEveryone has other bands, other jobs,‚ÄĚ Wilson says. ‚ÄúI‚Äôve got the B-52s‚Äô fortieth anniversary, there‚Äôs a lot going on with that. At the same time, I‚Äôm very committed to this record and continuing to perform with these guys. We‚Äôre trying to go into the studio at least once a month, to continue working creatively and keep the songs coming. We‚Äôre still experimenting, still growing, but it retains a certain sound. I feel very comfortable in this band. I‚Äôm loving it. ‚Äú
Ray Little has been moved by music all of her life, raised in Tulsa Oklahoma, in a home with a father who played and wrote, she found herself drawn to music as a form of communication and inspiration. Sneaking into live shows as a teenager, she found any way she could to be close to music whether at home or elsewhere. In 2008 she left Tulsa and headed to Los Angeles to professionally pursue music and she hit the ground running, looking for any and every opportunity to sing, write and play. This path would take her on a long and incredible journey to finding her sound, her voice and her musical identity. She established her first collaborative effort in 2010, landing in a Rock band that would take her on a five year journey. This band introduced her to new and important professional experiences, the most important being the opportunity to perform live. Ray had been preforming live her entire life but this was a new level. Putting her in front of large audiences and allowing her to bring what came natural to her. Playing live became her passion as well as her calling card. Her live show immediately generated a passionate following of fans and industry insiders playing alongside of some of LA‚Äôs most prestigious bands. Her ability to immediately connect with her audience grew into one of the best live shows in LA. In 2014, she took a leap of conviction and left the band to pursue her vision.
She started working with a wide array of musicians and producers, fine-tuning her sound and, ultimately, her vision for her music, working on songs that truly represent her as an artist and who she is in the world. Ditching the limitations of driving rock, she focused on a different sound that was driven by her passionate and stirring voice laid down on top of spacious production. She partnered with her friends from Semi Precious Weapons to refine new territory in song writing and they found magic in their collaborative efforts. The new sound she focused on was modern, up tempo, melodic and had movement while allowing her wide ranging voice to be the dominating presence. Compared to Sia, Banks, and Phantogram, Little still leads with her own style, uncompromising, strong and uplifting. Her life is literally lived in song, every experience being one that she can translate into a mood, melody and a captivating message for the world to hear. Her evolving sound and appetite for the next thing is and will probably always been insatiable.
American New Wave / Art Pop band formed in Athens, Georgia, USA in 1976.
Kate Pierson (b. 27 April 1948, Weehawken, New Jersey, USA; organ/vocals)
Cindy Wilson (b. 28 February 1957, Athens, Georgia, USA; guitar/vocals)
Ricky Wilson (b. 19 March 1953, Athens, Georgia, USA d. 12 October 1985; guitar)
Fred Schneider (b. 1 July 1951, Newark, New Jersey, USA; keyboards/vocals)
Keith Strickland (b. 26 October 1953, Athens, Georgia, USA; drums. Later switched to guitar after Ricky Wilson's passing.)