Kevin Robert Morby (born April 2, 1988) is an American musician, singer and songwriter. Formerly known as the bass guitarist of the folk rock band Woods and as the frontman of The Babies, Morby began a solo career in 2013, releasing his debut album, Harlem River.
Springtime Carnivore was born on the night of a full moon in the summer of the year of the dragon. She is the seventh of twelve siblings. Her father was a painter and her mother baked wedding cakes. Her favorite color is turquoise. Her favorite food is purple Pez. In a past life she slept beneath the stars in far away Western places and died in a gun fight with Annie Oakley.
Following high school, Springtime Carnivore joined a traveling circus company. She was a talented and nimble acrobat but her career was cut short by a tragic tightrope accident. “We had been traveling for days trying to maintain our schedule and we were all sick and tired and lonesome,” she recently wrote in a letter to her fans. “One night during a show in Twin Falls, Idaho, my energy was all used up and I made a misstep on the tightrope. Long story short, I fell three stories and broke my fibula.”
Although the tightrope incident killed Springtime’s big top dreams, it opened the door to another dormant aspiration. “While my poor leg was healing I discovered an old piano in the attic of my great great grandma’s second’s cousin’s third husband’s house. I dusted it off, paid a blind man to tune it by ear and I’ve been playing ever since. Inside me were all these songs about all these things I’ve seen and all these places I’ve been. Just came pouring out like tears."
The result of Springtime’s latent piano passions can be heard on this first release from the young songstress. Brought to you by LebensStrasse. Available all places cool discs are sold.
American folk artist, born 9 February 1976 in New York, NY, USA. He is currently signed with XL Recordings. Son of Anthony Perkins and Berry Berenson, brother of Osgood Perkins.
Meg Duffy hasn’t stopped moving, working, or growing since she left her quiet childhood home in upstate New York. You can find her in the back of the van reading a book, quietly warming up backstage with some guitar workouts, or waiting tables at a neighborhood pizzeria. Though Meg didn’t pick up the instrument until she was seventeen years old, her intuitive, naturalistic musicality and commitment to the craft of guitar playing have made an in demand collaborator and guitarist for countless indie acts (Kevin Morby, Mega Bog, Weyes Blood) and kept her between the road and the studio for almost three straight years. Like much of the richest art, Meg’s LP debut Wildy Idle (Humble Before the Void) (Woodsist 2017) is many things at once. The record is a collection of songs written amidst the constant motion of touring, recording, and working part-time jobs; recorded at home in North East LA between other commitments, around the sounds of roommates cooking breakfast, and dogs pattering though an old craftsman house. Layered with Duffy’s signature extended guitar techniques, poems read by friends, and musical contributions from contemporaries like Keven Lareau (Quilt), Avi Buffalo, Sheridan Riley, and others, the album combines striking visual storytelling and compelling melody with a deceptively light touch. Drawing on diverse influences ranging from novelist Iris Murdoch to Phil Elverum’s seminal work under his Microphones moniker, this album is more than the sum of its parts. Like a folded paper fortune teller, each listen reveals a new, hidden truth about living, working, and falling in and out of love buried in the quietly beating heart of the record. Dark, pulsing tracks like the intoxicating “Bad Boy” sit comfortably beside sunny strummers like “All The While” with its bouncing bass line and beguiling lyrics. The thread that runs through all these songs is Duffy’s voice, in turns languid and sweet, and always telling a story. Mixed and mastered by contemporary electronic music maestro M. Geddes Gengras, the result is an LP as hypnotic as Hand Habit’s impossibly immersive live set, and filled with the same engaging blend of wild improvisation and perfect restraint. Expansive, atmospheric arrangements punctuated with intricate melodic details. This record is indoor music at its finest: listen in the morning, in bed with your partner, in the kitchen while you make coffee, at night when you read on the porch.