The Blank Tapes
THE BLANK TAPES is the moniker of Los Angeles based multi-instrumentalist, Matt Adams, who has produced over a dozen albums of 1960’s inspired folk-rock-surf-psych-soul-pop on Volcom, Burger Records, Antenna Farm, and others. Their new album “Candy” was produced by Eric D Johnson at his home studio in Portland, OR featuring bandmates Will Halsey of "Sugar Candy Mountain" & Veronica Bianqui as well as EDJ. The Blank Tapes have toured America, Canada, Brazil, UK, Europe, & Japan. Matt is also the artist behind his band's posters & album covers.
“Evokes Belle and Sebastian, Pavement, and The Black Keys – in a San Fran coffeehouse (just like the old days).” – ROLLING STONE
“’50s and ’60s pop classics with ramshackle warmth.” – SPIN
“Yoke a garage-pop sensibility to ferocious rock riffs.” – THE NEW YORKER
“Perfectly classic sound.” – SF BAY GUARDIAN
“Awesome every time.” – LA WEEKLY
The Teskey Brothers
The Teskey Brothers are a rare musical gem. Honouring that old school Motown sound and working it into something of their very own, the band have received widespread acclaim for their gorgeous debut album Half Mile Harvest. A raw combination of soul and blues, the record has warmed the hearts of listeners everywhere with it’s melancholic, analogue tones.
Written by all four band members, the album was recorded in their own home studio, self-produced and released independently. Listening to the record you’d be forgiven for thinking it was the work of Stax Records alumni in Memphis circa ‘67 rather than a group of twenty-somethings from the Yarra Valley just outside Melbourne. The feeling is as old as the tape machine it was recorded on and it’s a true expression of love.
Onstage singer Josh Teskey’s smoked whiskey voice defies expectation as the band around him hold an irresistible groove. Their undeniable live show has wowed audiences around the world, leaving them infected with soul and blues.
Jacob Dillan Summers has been many things. A sheltered fundamentalist Christian kid. A world champion drumline drummer. A marine. A lovesick transplant to icy Alaska. But in July 2014, he was just a man stabbing a nail into his own palm to draw enough blood to paint with. This is the story behind Avid Dancer – the nom de musique under which Summers is releasing his first full-length album 1st Bath.
Those recordings contain some of the most kaleidoscopic, distinctly individual – and above all, honest – pop music you’ll hear all year. Summers started Avid Dancer to express himself viscerally – sometimes literally. For 1st Bath’s artwork, he wrote the album’s title in, yes, his own blood over a collage of photos from his early childhood. “This music represents my entire existence up to making this record,” Summers explains. “I wanted to really let people in, so I decided to paint the album title in my own blood. I actually jabbed myself until I got a big enough pool to write with. I mean, what could be more ‘me’?” That philosophy boils down to the intensity suggested in Avid Dancer’s moniker. “I realized the name matches what I’m doing musically,” Summers says. “When we dance, we lose ourselves in it – we put ourselves out there and don’t give a fuck. I’m not a guitar player, not a singer – I’m just putting myself out there with this music.”
In fact, Summers began as a drummer – a champion virtuoso, who won top honors for rudimental snare at United Corps International’s prestigious annual bugle-and-drum corps competition. During the songwriting process, he’d start with rhythms he’d create on percussion. This process ultimately gave his material a righteous rhythmic heft across the board – from the highly danceable “All the Other Girls” and the smoky torch-soul ballad “Stop Playing With My Heart,” to even the pedal-steel Americana of “Why Did I Leave You Behind?”
Even when Avid Dancer’s music does evoke artists, say – from the trippy Madchester vibe of album opener “All The Other Girls,” evoking Stone Roses and Charlatans to the insistent Pixies-style bassline opening “Medication” – it’s a happy coincidence. Raised in a strict Christian household, Summers was forbidden to listen to any secular music until his late teens; as a result, his musical discovery remains ongoing. “Growing up before the Internet, I was cut off,” he notes. “I wasn’t even allowed to watch MTV! I lived in an alternate reality.” I remember sending some songs to a friend and he said, ‘Dude, you remind me of The Kinks.’ I thought they were maybe a new band, but when I listened to them I fell in love with their music. Another time, I got compared to Elliott Smith, and then I got really into him.”
Summers’ entrée into the world of popular music proves a most unlikely origin story. He dropped out of his freshman year studying music education at the University of Tennessee to join the Marines – enlisting, in fact, on September 12, 2001. “It was the day after 9/11, but I’d planned on doing it anyway,” says Summers. He ended up in the elite United States Marine Drum & Bugle Corps, with whom he’d play up to 300 performances a year in addition to regular combat training.
At the end of his time with the Marines, Summers moved to Los Angeles: there he endured a number of awkward stints drumming for bands and studied audio recording.
Another sharp turn in Summers’ life came when he moved (of all places) to Alaska for a woman, it was here some of the songs on 1st Bath rook shape. As they grew, Summers would eventually return to LA and make his home at Venice Beach, where he completed 1st Bath. “This album for me has been all about honesty – with myself and about myself” Summers says reflecting on how his vast array of experiences have come together to shape his songwriting. Blogs started raving about early Avid Dancer demos, and they also caught the ear of noted producer Raymond Richards (Local Natives, Ferraby Lionheart). Together, Summers and Richards began recording the Avid Dancer songs that would eventually appear on 1st Bath at Richard’s Red Rockets Glare studio in Culver City, California – all except for the version of “I Wanna See You Dance,” which was produced by Dave Trumfio (Wilco, OK Go, Built to Spill,The Mekons).
Since then, he’s formed Avid Dancer’s live touring unit, a fluid ensemble that’s already supported the likes of Mac DeMarco, Warpaint, Hamilton Leithauser and Cold War Kids with its energetic live show. “I try to learn from other bands,” Summers says, “seeing how they hone in on delivering their message.” Ultimately Avid Dancer’s own message manifested itself when he wrote the song “All Your Words Are Gone” – one of 1st Bath’s most memorably plangent moments. “I met a sad girl and wrote that song to make her feel better,’” Summers says. “Writing that was a defining moment. Previously, I tried to write music that had never existed before. But doing ‘All Your Words Are Gone’ made me realize there are no new chords; what I needed to do was write a song that means something to me. I now understood I could do whatever I want: I don’t have to carry around any baggage – I can do anything. Whether it’s an acoustic country song, an electro track, or a heavy guitar jam, the style didn’t matter: I just channel whatever I’m feeling into a song that has something to say. That’s how I’ve been doing it ever since.”
Vocalist, songwriter, and multi-instrumentalist Veronica Bianqui integrates the raw energy of garage rock with the passion of classic soul and R&B, and the pop sensibilities of 60s girl groups while maintaining an intense yet playful edge. Perhaps it’s her background in musical theatre, jazz, classical, and even Indian classical music, or her mother’s propensity for blasting The Beatles and Joe Cocker around the house, but Bianqui’s tastes and influences cross a wide spectrum of sounds. In her live show, Bianqui and her band consisting of up to 10 members—reminiscent sometimes of a revue– combine classic showmanship with a heartfelt directness that keeps the music intimate.