Grand Ole Echo
"THE STONED, STEELY SOUNDS OF '70S COUNTRY MUSIC LIVE ON IN ECHO PARK — ON SUNDAY AFTERNOONS, AT LEAST. BREEZY AND BOOZY VIBES ABOUND AT THE ECHO EVERY SUNDAY AFTERNOON FROM SPRING TO FALL AT GRAND OLE ECHO, AN OPEN-ENDED COUNTRY SHOWCASE THAT FEATURES ALL MANNER OF BUZZED OUTLAWS AND COUNTRY-FRIED SONGWRITERS BUT ZEROES IN ON THE HAZY DAYS OF WILLIE AND WAYLON AND RONSTADT. THE PARTY TAKES ADVANTAGE OF BOTH THE ECHO'S MAIN PERFORMANCE SPACE AND ITS SUNNY BACK PATIO, WHERE RAY'S BACK PATIO BBQ SERVES UP SLOW-ROASTED PORK ON A WHITE HAMBURGER BUN FOR $6 A POP. KIDS ARE WELCOME AND RUN FREE WITH JOYOUS ABANDON; HANDSOME YOUNG MEN AND WOMEN LOUNGE AROUND WITH CANS OF BUD; VINTAGE WESTERN SHIRTS AND COWBOY BOOTS HANG FOR SALE ON RACKS BY THE SIDE OF THE STAGE. IT'S THE MUSIC, THOUGH, THAT KEEPS FANS COMING BACK EVERY WEEK, WITH HOT-SHOT LOCAL ACTS SUCH AS COUNTRY-FRIED ROCKER ELIJAH OCEAN AND THE FLAWLESS BLUEGRASS HARMONIES OF DEAR LEMON TREES SHARING THE STAGE WITH TOURING AMERICANA ACTS. CAN'T-MISS SPECIAL TRIBUTES, LIKE THOSE DEDICATED TO MERLE HAGGARD AND TOWNES VAN ZANDT EARLIER THIS YEAR, BRING OUT SCORES OF L.A.'S FINEST ROOTS SINGERS AND MUSICIANS. IF YOU SQUINT HARD ENOUGH, YOU COULD MISTAKE THE WHOLE AFFAIR FOR A NASHVILLE HOUSE PARTY CIRCA 1978".- CHRIS KISSEL , LA WEEKLY
"That's just one example of the type of collaborations in store at the Grand Ole Echo, whose definition of Americana is much more wide-ranging and diverse than its Nashville namesake, booking everything from southern rock to psychedelic alt-country to bluegrass to old fashioned honkytonk." - Jonathan Bernstein, American Songwriter
The Echo Park crowd knock back longnecks and listen to bands that can include (former) local fixture, Mike Stinson,or former members of the Blasters. Members of Wilco, and The Black Crowes have been known to show up and even take the stage.” - Los Angeles Magazine
“Sunday afternoons, put a kick in God’s day with the Grand Ole Echo, a downhome celebration with three live bands plus and old-timey jam and bbq on the back patio.” - The Pasadena Weekly
Blackfoot Gypsies is Matthew Paige (vocals, guitar), Zack Murphy (drums), Dylan Whitlow (bass, vocals) and Ollie Dogg (harmonica). The band have shared bills with everyone from the Alabama Shakes and Trampled by Turtles to Futurebirds, The Ettes and The Carolina Chocolate Drops. East Nashvillian testifies that “…Blackfoot Gypsies’ live performances are inducing pure rock & roll highs in audiences…” While the Examiner adds “The Blackfoot Gypsies deliver a raw blues infused sound loaded with chunky guitar riffs, rowdy keyboards and wailing vocals.” AllMusic dubs the band’s material “garage rock, electric blues and Southern swagger.”
Charlie Overbey & The Broken Arrows
Charlie Overbey has been a staple in the Los Angeles Music scene since the early 90's as a musician, a promoter and then spent years as a booking agent.
After the tail end days on the Sunset Strip with Big Bang Babies Charlie drifted back to his punk rock roots and Joined Cowpunk band Custom Made Scare, recorded their debut album with Side One Dummy records which came out immediately following a vacation in federal prison and later played with Deadbolt for many years and then Formed Charlie And The Valentine Killers who toured with David Alan Coe, The Supersuckers and more.
Charlie finally sobered up and started writing what would become the Broken Arrows EP~ The California Kid produced by Charlie and Mixed by Grammy Award Winner Ted Hutt ( Old Crow Medicine Show, Gaslight Anthem, Chuck Ragan, Dropkick Murphys and more) and Paul Kilmister who happens to be the Son of Lemmy.
Some heavy hitters such as Zander Schloss, Steve Soto, Colleen Duffy, Jonah Smith, Jake Margolis and Ted Russell Kamp recorded on the album.
After recording, Charlie then carefully constructed a band of Music Veterans and long time musician Friends that he had always wanted to play with that would be comfortable with heavy touring and would quickly mold into a Band of Brothers.
Jimmy James of The Hangmen, Lead man Dave James of The Superbees, Pedal Steeler Jordan Shapiro of The Supersuckers, Joe Ginsberg of Chuck Ragan and the wind brought in a new Cali arrival from Rhode Island, Drummer Charlie Nicienski.
Bassist Terry Love and Steeler J.C August have stepped in to help out with some of the heavy road work and conflicting schedules.
The band is touring and writing with plans of recording their debut full length LP later in the year with Ted Hutt Producing and Mixing.
It's full steam ahead for this band of LA Music Vets!
Ashleigh Flynn grew up in Kentucky and cut her teeth on local bluegrass music. She arrived on the national scene in 2008 with the release of her third record, American Dream, and continues playing national and international stages with the release of A Million Stars (2013). A prolific songwriter, Ashleigh is also an electrifying performer blessed with unbridled charisma. Ashleigh has performed at many a music festival including Bonnaroo, Bumbershoot, Falcon Ridge Folk and High Sierra. A Million Stars, Ashleigh's fourth studio effort on her own Home Perm Records, is produced by Chris Funk, her longtime friend and musical collaborator, best-known as the Decemberists' multi-instrumentalist. The record features Todd Snider and many of Portland's most talented musicians including, Chris Funk, Jenny Conlee-Drizos, Nate Query, John Moen, Annalisa Tornfelt, and the Stolen Sweets singers, among others. She has also traveled the globe regularly warming tours for Todd Snider and Nanci Griffith, among others.
A Million Stars continues the inspired narrative Flynn began on earlier records with tales deeply rooted in the American experience. The most profound seed of inspiration for the new record was a watercolor painted by her young niece depicting a cowgirl atop her horse under a starry desert sky. Who was this girl so confidently astride her mount? Discovering the painting led her on a quest to learn more about the women of the westward expansion, unnamed heroes that history had largely overlooked.
"Flynn's best attributes: a soulful croon best described as a gold-plated gift from beyond, a songwriter's eye for detail and narrative that captures the humanity and hope in the lives of our fair city's various down-and-outers …" - Douglas Perry, The Oregonian
S.O.S. (Sons of the Southwest)
Children of the Clouds