MAN MAN is a highly revered, avant-garde rock band born out of the weird streets of Philadelphia and now brewing in the even weirder sunshine of Los Angeles. The band sounds nothing like but is frequently compared to some of the more well-known godfathers of the genre, Captain Beefheart, Frank Zappa, Can, and The Residents. The ever-evolving ensemble mixes and mashes a variety of genres from ragtime to rock, electronic to acoustic, doo-wop to exorcism and it revels in defying classifications, expectations, and anything remotely cliché. Still, what emerges from that mixture are beautifully crafted little pop earworms that can’t easily be dislodged from your brain.
Man Man is known for its multi-instrumental style that centers around the piano abusing lead singer, songwriter, and creative force Honus Honus. The other members play a number of important roles, from wielding clavinets and marimbas to a variety of wind instruments, random toys, and noisemakers. The band's famously engaging live shows often feel free and formless, as each musical number morphs into the next without a break, while its musicians quickly change instruments - and often costumes - as the mood and music dictates.
From its wily debut in 2004 with The Man in a Blue Turban with a Face, the band has grown into an artfully creative force as it produced Six Demon Bag in 2006, 2008’s Rabbit Habits, 2011’s Life Fantastic, and 2013's On Oni Pond. Along the way, it has transformed an endearingly bizarre musical style to one more pop-oriented without compromising its broader intentions of presenting a high-energy, highly entertaining musical extravaganza. Man Man’s songs are as artistically diverse as Picasso paintings, but with more color, more impact, more noise, more music, and more outrageous style. This is one show you cannot afford to miss.
Fat Tony stands at the forefront of new generation of young rappers who get it themselves—a DIY hustler who's built his burgeoning career on a foundation equal parts smarts and swagger. The Houston MC owns the mike with a casual confidence, workmanlike in his delivery whether laidback or lyrical, embodying a new brand of enlightened Southern that's as likely to tip back some lean on your front porch as sit down and school you on Dadaism. Through his simmering solo work and boundary-busting collaborations with Das Racist and A$AP Rocky, among others, Fat Tony has already launched a legacy.
As a first-generation Nigerian-American raised in his city's historic Third Ward, heritage has always been important to Fat Tony. One of his earliest memories is of a parade of black cowboys riding down the local main street on MLK Day, blaring the good doctor's speeches over zydeco tracks. His childhood home was filled with records—King Sunny Adé and Jimmy Cliff from his father's collection, his mother's jazz and soul, Granny's gospel. He watched countless hours of music television as a kid, got his first drum kit at 8, and pummeled it to pieces shortly after seeing Nirvana on MTV.
Fat Tony became a key player in the Houston music scene as a young teen. Inspired by the independent spirits he looked up to—from the Ramones and the Germs to UGK and Slum Village—he began throwing
shows at local venues and friends' houses. He booked bands of all types from all over, hand-made flyers and mailed them to addresses nabbed from the student directory. Meanwhile, he toured regionally and
earned a rep as a fierce performer, eventually racking up three consecutive annual "Best Underground Hip-Hop" awards from the Houston Press while studying communications at the University of Houston.
In 2010, Fat Tony self-released his debut album, RABDARGAB, a sharply stylish set named after a local literacy campaign from his youth: "Read a book, do a report, get a buck." In keeping with the theme, he offered to send a dollar bill to anyone who listened to the record and wrote it up. (He wound up sending out $27.) Shortly thereafter, Das Racist reprised and rapped over the Murs-featuring "Luv it Mayne" for their Sit Down, Man mixtape, and legendary screw DJ OG RON C offered his "chopped up, not slopped up" version of the record, SCREWDARGAB, in 2011.
A veteran at 24, Fat Tony comes to Young One Records knowing the two most important principles of creativity: 1) no matter where his music takes him or what others may say, he alone is responsible for the quality of his work, and 2) in the man's own words, "It's good to be good." With that in mind, he has two full-lengths poised for 2012. First up is Double Dragon, a Cuban Linx-style rapper-producer pairing that finds Fat Tony's go-to beatmaker Tom Cruz sharing mike duties. Second will be Smart Ass Black Boy, which will no doubt be aptly named. -Christopher Martins
Hailing from Long Beach, CA, WARGIRL comprises of 3 women and 3 men. Described as third world garage rock with afro-punk and reggae / latin influences. Signed to Clouds Hill Records out of Hamburg (Bosnian Rainbows, Pete Doherty, Omar Rodriguez), and published by Mothership (Anti Records, Tom Waits), the band has toured Europe twice with features at Reeperbahn Festival and is headed back in January to tour the continent and a featured spot at FM4 Festival in Vienna. Lots of play on German, Danish, and Swe
Jon Daly is very funny. He's acted for television (Human Giant, Happy Endings) and film (Bride Wars, Mystery Team). He's starred in FunnyorDie videos (My Imaginary Friend is Fabio, Bieber 5021), and frequently performs at the UCB theatre in Los Angeles. He's also a pretty fantastic rapper as the non-Brett Gelman half of Cracked Out.